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The Subtle Nature of Desire in Victorian and Edwardian Literature

From the mid-19th to the early 20th century, the Victorian and Edwardian periods were two of the most important times in British literature. These eras were marked by rapid social changes and strict moral rules, creating works that continue to captivate readers today. A common theme in many of these works is the exploration of desire, often presented in subtle ways due to the time's restrictive norms.

The Victorian era, during Queen Victoria's reign from 1837 to 1901, saw great change. The rise of industry, city growth, and the expansion of the British Empire contrasted with a home life defined by rigid moral expectations. Literature from this period often reflected this conflict, showing desire—whether romantic, erotic, or emotional—as both a natural urge and a potential source of conflict.

The Edwardian period, from 1901 to 1910, followed the Victorian era and brought more liberal values. Social attitudes shifted, challenging Victorian prudence, but authors still had to be cautious, as society was not fully accepting of these changes.

Despite the shifting landscape, one thing remained constant: desire was still expressed in a restrained way. Whether in Jane Austen's unspoken emotions or the forbidden passions of E.M. Forster, writers had to navigate societal expectations carefully. Some used metaphor, others suggestion, keeping their stories within the bounds of what was considered 'proper.'

The Victorians

The Victorian era is one of the most discussed and debated periods in literary history, blending formality with passion. Desire and sexuality were at the core of its literature, often in tension with the time’s strict moral codes.

Victorian society upheld modesty, self-control, and family values, but behind this was a society struggling with industrial growth, urbanization, and changing social dynamics. Sexuality was confined to marriage and rarely discussed openly, let alone in literature.

These restrictions, however, sparked a literary interest in sexuality, which authors explored through metaphor and suggestion. The mix of pleasure and danger in sexuality became a theme that writers returned to time and again.

Emily Brontë’s ""Wuthering Heights""

Brontë’s only novel tells the tragic love story of Heathcliff and Catherine. But beneath the surface, it explores uncontrolled passion. Their love breaks social norms and the boundaries of class and decency. The emotional intensity of the novel was groundbreaking and shocking for its time. It’s still debated today whether it’s a romance, tragedy, or something darker.

Thomas Hardy’s ""Tess of the d’Urbervilles""

Hardy’s novel critiques how Victorian society treated women, especially regarding sexuality. Tess is seduced, abandoned, and judged, leading to pain, sacrifice, and societal condemnation. Hardy’s portrayal of Tess’s desires—both her own and those imposed on her—offers a critical look at a society with double standards. Tess’s story is both heartbreaking and a strong critique of a culture that valued women’s purity over their humanity.

Both Brontë and Hardy challenge the Victorian notion of 'proper conduct,' showing that passion, whether desired or not, can both uplift and destroy. Through their works, they shed light on human emotion and subtly critique the social structures that tried to restrain it.

The Language of Passion

In an era when being too direct could lead to scandal or legal trouble, writers used more subtle ways to express passion and sexuality. Metaphor and symbolism became powerful tools, allowing writers to hint at forbidden desires and give thoughtful readers a deeper understanding of their work. This created literature that required careful thought to fully appreciate.

Symbolism wasn’t just a style choice in Victorian literature—it was necessary. Writers challenged readers to think and infer meaning rather than say things outright. This allowed them to keep up appearances of respectability while tackling taboo topics.

Nature as a Metaphor for Desire

Nature was a common symbol for desire in Victorian and Edwardian literature, including flowers, gardens, and wild landscapes.

Flowers: Flowers, with their beauty and short life, symbolized youth, beauty, and eroticism. A flower exchange between a man and woman could suggest romantic intent or an erotic connection. The type of flower could send specific messages—roses for love, lilies for purity, and so on.

Gardens: Enclosed gardens often represented the female body or feminine sexuality, both celebrated and controlled. These gardens could provide a space for passion, hidden from society’s gaze. The contrast between carefully tended gardens (controlled desire) and wild, overgrown gardens (uncontrolled passion) reflected different approaches to desire.

Wild Landscapes: Uncontrolled landscapes like moors, forests, and seas symbolized raw, unrestrained desire. Characters often found themselves in these places during intense emotional or morally ambiguous moments.

Through nature’s beauty and unpredictability, writers found a perfect metaphor for the unpredictable and strong nature of human desire. These symbols allowed deeper meanings to emerge for thoughtful readers, offering layers of insight that might be missed on a first read.

The Edwardians

The Edwardian period, following the Victorian era, marked a shift in social attitudes. The class structures of the past began to break down, and a new middle class emerged. This time saw debates about gender, class, and sexuality, which were reflected in the arts and literature. While conservatism remained, the arts hinted at societal changes, including the depiction of desire.

E.M. Forster’s ""Maurice""

In ""Maurice,"" Forster tells the story of a man’s journey to self-acceptance and love in a society that disapproves of same-sex relationships. The novel was groundbreaking, portraying homosexual love with raw emotion despite the period’s social challenges. It offers hope that love can triumph over prejudice, and critiques the struggles faced by homosexuals in Edwardian society.

D.H. Lawrence’s ""Lady Chatterley’s Lover""

Lawrence’s controversial novel explores physical and emotional intimacy in a passionate affair between Lady Constance Chatterley and her husband’s gamekeeper. It critiques the emotional sterility of the upper class and challenges traditional views on sexuality. The novel’s explicit nature led to bans and trials, highlighting the tension between old values and new attitudes toward human desire.

The Edwardian period was brief but pivotal, pushing the boundaries of societal expectations and laying the foundation for future explorations of human desire and identity in literature.

The Female Perspective

Women’s desires in literature underwent significant changes during the Edwardian period. Female characters began to be seen not just as objects of desire but as individuals with desires of their own. The rise of the feminist movement influenced many female authors to challenge traditional roles and depict the complexities of women’s desires.

Virginia Woolf’s ""Mrs. Dalloway""

In ""Mrs. Dalloway,"" Woolf explores the inner lives of her characters through her unique stream-of-consciousness style. The novel follows Clarissa Dalloway as she navigates post-war London, dealing with repressed desires and unspoken emotions. Clarissa’s past relationship with Sally Seton illustrates the fluid nature of desire, while Septimus, a war veteran, represents the toll of societal repression on individual desires.

Through Woolf’s portrayal, female characters are shown as fully realized individuals with complex desires, marking a shift in how women’s emotions were depicted in literature.

Taboos

The Victorian and Edwardian periods were full of works that explored themes society considered inappropriate, like homosexuality, adultery, and other forbidden desires. While some authors stuck to moral standards, others pushed boundaries using subtle hints, allegories, and complex literary techniques.

Oscar Wilde’s ""The Picture of Dorian Gray""

Wilde’s novel explores the life of Dorian Gray, a man who makes a deal to remain young forever while his portrait ages. Beneath the surface, the novel hints at homoeroticism, challenging the norms of the time. Though Wilde’s depiction of immoral behavior was controversial, it also critiqued Victorian hypocrisy, where outward morality concealed inner decay. This led to Wilde’s famous trial and imprisonment.

Despite moral codes, the Victorian and Edwardian eras produced works that defied convention, revealing the complexities and contradictions of society’s view of desire.

Influence of Art and Science on Literary Eroticism

The Victorian and Edwardian periods saw a strong connection between literature, art, and science, especially in how they portrayed eroticism and desire. The Pre-Raphaelite Brotherhood, with its vivid and sensual art, influenced writers, while Freud’s psychoanalytic theories about sexuality deeply impacted literature, adding layers to characters and themes.

Censorship and Scandal

Many works from the Victorian and Edwardian periods faced censorship and scandal, challenging the tension between artistic freedom and social norms. These controversies led to trials and public debates about the role of literature in society. Despite these challenges, such works helped pave the way for more open explorations of human desire in literature.

These periods were crucial in shaping the future of literature, allowing for a more honest and open exploration of human nature and desire.

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